![]() ![]() The glossy print also seems to present more detail. The blacks aren’t as dense and dark as they are on the glossy print. We compare them for their contrasts, sharpness, surface quality, and richness of tones.Īs is usually the case with matte papers, there’s less contrast on the extremes. In the video we compare two 8x10s side-by-side, one printed on Ilford’s digital silver gelatin glossy and the other on the new matte surface paper. Depending on how the client hangs the print, it can add unsightly reflections, in addition to the reflections already happening on the glass. The reason I have a preference for matte papers is because I don’t like a shiny paper in the picture frame. The new matte surface paper has zero shine. While I (and my clients) have loved these prints, I have wished many times that there was a matte offering. A digital printer exposes the light sensitive paper, which is then processed in the same wet chemistry as a darkroom.Īnd up until recently, there has been only one surface to choose from: glossy. In case you aren’t familiar, these are real fiber-based silver gelatin prints like would have been made in the traditional darkroom, but made from a digital file. I’ve been selling these silver gelatin prints on my website for years and they are stunning. I’m a long-time fan of Ilford’s glossy digital silver gelatin fiber based baryta paper. matte digital silver gelatin paper surfaces, along with Canson Platine Fiber Rag and Moab Entrada inkjet papers,
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